

Grammar


Tenses


Present

Present Simple

Present Continuous

Present Perfect

Present Perfect Continuous


Past

Past Simple

Past Continuous

Past Perfect

Past Perfect Continuous


Future

Future Simple

Future Continuous

Future Perfect

Future Perfect Continuous


Parts Of Speech


Nouns

Countable and uncountable nouns

Verbal nouns

Singular and Plural nouns

Proper nouns

Nouns gender

Nouns definition

Concrete nouns

Abstract nouns

Common nouns

Collective nouns

Definition Of Nouns

Animate and Inanimate nouns

Nouns


Verbs

Stative and dynamic verbs

Finite and nonfinite verbs

To be verbs

Transitive and intransitive verbs

Auxiliary verbs

Modal verbs

Regular and irregular verbs

Action verbs

Verbs


Adverbs

Relative adverbs

Interrogative adverbs

Adverbs of time

Adverbs of place

Adverbs of reason

Adverbs of quantity

Adverbs of manner

Adverbs of frequency

Adverbs of affirmation

Adverbs


Adjectives

Quantitative adjective

Proper adjective

Possessive adjective

Numeral adjective

Interrogative adjective

Distributive adjective

Descriptive adjective

Demonstrative adjective


Pronouns

Subject pronoun

Relative pronoun

Reflexive pronoun

Reciprocal pronoun

Possessive pronoun

Personal pronoun

Interrogative pronoun

Indefinite pronoun

Emphatic pronoun

Distributive pronoun

Demonstrative pronoun

Pronouns


Pre Position


Preposition by function

Time preposition

Reason preposition

Possession preposition

Place preposition

Phrases preposition

Origin preposition

Measure preposition

Direction preposition

Contrast preposition

Agent preposition


Preposition by construction

Simple preposition

Phrase preposition

Double preposition

Compound preposition

prepositions


Conjunctions

Subordinating conjunction

Correlative conjunction

Coordinating conjunction

Conjunctive adverbs

conjunctions


Interjections

Express calling interjection

Phrases

Sentences


Grammar Rules

Passive and Active

Preference

Requests and offers

wishes

Be used to

Some and any

Could have done

Describing people

Giving advices

Possession

Comparative and superlative

Giving Reason

Making Suggestions

Apologizing

Forming questions

Since and for

Directions

Obligation

Adverbials

invitation

Articles

Imaginary condition

Zero conditional

First conditional

Second conditional

Third conditional

Reported speech

Demonstratives

Determiners


Linguistics

Phonetics

Phonology

Linguistics fields

Syntax

Morphology

Semantics

pragmatics

History

Writing

Grammar

Phonetics and Phonology

Semiotics


Reading Comprehension

Elementary

Intermediate

Advanced


Teaching Methods

Teaching Strategies

Assessment
COMMENTARY: SPEAKING WITH DIFFERENT ACCENTS On Classroom Presentations
المؤلف:
Tara Goldstein
المصدر:
Teaching and Learning in a Multilingual School
الجزء والصفحة:
P110-C6
2025-09-30
280
COMMENTARY: SPEAKING WITH DIFFERENT ACCENTS
On Classroom Presentations
Student presentations, performed both individually and in small groups, were a popular assignment among English and social studies teachers at Northside because they provided students with an opportunity to practice their public-speaking skills in English. For most English as a Second or Other Language (ESOL) students, giving an effective classroom presentation was an extremely demanding activity. Students were evaluated on their use of Standard English grammar and Standard English phonology (pronunciation). They were also evaluated on their strategies for repairing and enhancing communication (for example, their ability to paraphrase and effectively use gestures and eye contact) and their understanding of the sociolinguistic and cultural norms associated with giving a classroom presentation.
The presentations given by the ESOL students at Northside were assessed in comparison to the performances of students who used English as a primary language and/or had attended elementary school in Toronto. For many of these students, giving classroom presentations was not perceived as an unfamiliar or particularly difficult activity. To illustrate, when the character of Timothy tells his Canadian-born friend, Mike, that he is nervous about his upcoming presentation in scene 1 of No Pain, No Gain, Mike thinks he must be kidding. Timothy's speech is already completed, and all Timothy has to do is "say it in class." Mike, on the other hand, hasn't finished his speech. For Mike, preparing the speech is the difficult task, not presenting it. Elementary school students in Ontario begin making classroom presentations as early as in grade 1. This means that students like Mike have already accessed what sociologist Pierre Bourdieu has called the linguistic and cultural "capital" needed to produce effective classroom presentations. However, for students like play-wright Timothy Chiu, who did not (completely) do their elementary education in Toronto (Timothy arrived in Toronto at the age of 10), performing a presentation in front of other students required learning new and uncomfortable ways of talking and acting.
In Chiu's play, the character of Timothy demonstrates that he has mastered quite a few of the linguistic and cultural norms associated with doing a classroom presentation at Northside. For example, in scene 2, we hear that he knows it is common and appropriate to begin a presentation with a greeting such as "Good afternoon, fellow students." He also knows that such a greeting needs to be delivered in a bright and enthusiastic manner. As well, the sample of his presentation speech we hear in scene 2 has been edited so it follows the rules of Standard English grammar. Finally, Timothy understands that his presentation must contain a well-planned analysis and appeal to a wide range of political opinions on the colonial history of Hong Kong. In scene 3, when Mom tells Timothy that he has to tell his classmates that Chinese people are no longer enslaved by Whites, Timothy replies that he doesn't plan to "be cocky."
Yet, despite the sociolinguistic, grammatical, cultural, and political expertise Timothy displays in scene 2 and scene 3 of the play, and despite the 4 hours of practice (which is later critiqued by the playwright as being over-zealous when it is described as a symptom of a fictional disease named "Nerdkazophobia"), the presentation does not go as well as Timothy had anticipated. After a strong beginning, Timothy's hands and body begin to shake. He lowers his voice, and then hides his face behind his presentation script so it is no longer possible for other students to hear or understand what he is saying. Mr. Kendall, who appreciates Timothy's effort, gives him a mark of 85% for his presentation, but comments on his nervousness. Timothy, who had practiced for 4 hours and had been anticipating a higher mark, is disappointed.
The audience knows why Timothy became nervous even after 4 hours of practice. Earlier, in a conversation that he had with his friend Mike, Timothy told us that he didn't feel comfortable speaking when lots of people were staring at him. As Victor Yu tells us in the quotation, in Hong Kong, Timothy was not required to make a classroom presentation and it is hard for him to get used to speaking on center stage. The audience also found out that the last time Timothy spoke out in front of his classmates in English class, they made gestures, which Timothy interpreted as a sign that his classmates did not understand what he was saying. The anticipation of not being understood and having to, once again, continue speaking despite distracting and disturbing gestures from classmates contributed to Timothy's nervousness, which, in turn, contributed to his disappointing performance.
At the end of play, Timothy and Mr. Kendall talk about Timothy's nervousness. Mr. Kendall suggests that Timothy practice speaking English in public whenever he has the opportunity to do so. In the last scene of the play, Timothy, speaking in the third person about himself, tells the audience that he followed Mr. Kendall's advice and began to practice English wherever he could. In the process of practicing, Timothy met a lot of new friends and his ability to speak in public improved. The play has a happy ending.
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